This article introduces the historical context of Romeo and Juliet and explores how the play could have been a warning to Queen Elizabeth. Introduction For writers of real literature there are two inalienable truths:
In lieu of an abstract, here is a brief excerpt of the content: Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's and Shakespeare's Romeo and Juliets Brandon Shaw bio Juliet, in Shakespeare's tragedy and in Kenneth MacMillan's balletic adaptation, is a revolutionary character inveighing against immediate patriarchal machinations.
Editors of the First Folio of Shakespeare's complete dramas eschewed the performance-oriented, mass-produced and mass-circulated, magazine-sized first quarto Q1, Instead, they forcefully redacted the more literary second quarto Q2, Garden text to concoct a mythology of a timeless, blotless bard.
Opting for lyricism, symmetrical balancing, and female acquiescence to patriarchal will, the editors enforce structures resisted by both the early theatrical and later balletic Juliets. In —65, MacMillan with dancers Lynn Seymour and Christopher Gable concocted a Juliet who would challenge fundamental balletic conventions of femininity.
Juliet's revolutionary personality was constructed to declassify ballet through defiant stillness, off-balance choreography, and unconventional facings. Economic, moral, and aesthetic concerns waged against Seymour's rebellious Juliet, and the premiere as well as the internationally disseminated film of Juliet were performed by Margot Fonteyn.
Fonteyn's classifying instinct effaced these balletic transgressions and recast Juliet into an aesthetic of grace and verticality. Decisions at the hands and feet of authors, editors, choreographers, dancers, and boards may work to classify or declassify an archive.
Beginning with literary and literal examples of concepts of effacement and marginalization central to critical theory, similar strategies emerge for the continuance of hegemonic power and tactics for resistance to acts of rebellion against these networks that infuse the inception of Kenneth MacMillan's Romeo and Juliet first performed in Covent Garden, February 9, In the case of both the Folio's Romeo and Juliet and MacMillan's choreography, assertions of power against the character of Juliet reflect familiar patriarchal machinations.
In the case of Lynne Seymour's creation and performance of Juliet, the confluence of the character-dancer role creates a dynamic where specific decisions aimed at taming Seymour have produced lasting effects on the character of Juliet as archived.
As both had been actors in Shakespeare's company, it is curious that Heminge and Condell seemingly dismiss the notion that actor input, improvisation, and redactions in light of audience receptivity at least informed Shakespeare's writing. Printed on paper of quality equal to the most expensive Bibles, framed by clear margins, clean lines, and classical structure, the Folio presented itself as the unique, authoritative vista into Shakespeare's unhesitating, unerring, versified cogitation, and it discounted, excised, and rearranged any evidence to the contrary.
SWBAT write arguments to support claims in an analysis of Romeo and Juliet, using valid reasoning and relevant and sufficient evidence from the play and a critical essay by following steps in a graphic organizer that organizes an outline for the essay. Feb 02, · Why would a 16th century audience find act 4 scene 1 of much ado about nothing shocking Much Ado about Nothing was written in the 16th century by William Shakespeare. It is a comedy; however it contrastingly displays both love and deceit. Romeo and Juliet: Act I, Scene 5 Essay Assignment Did you notice that Romeo and Juliet’s first words to each other are written in the form of a sonnet? The sonnet ("little song") was one of the highest and most popular poetic forms of In Act I, Scene 5 of Romeo and Juliet, they meet for the first time, and even their first spoken words to.
Regarding the Folio, John Jowett surmises, "The way it presented Shakespeare was very carefully calculated to make a collection of theatre works look plausible as what we would now call works of literature. The book not only gives us the texts; it gives us Shakespeare as a cultural icon" While this gaze did not completely deny Shakespearean authority over Q1, his authorship was deemed visible only in pieces, and Q1 was thus denigrated to a "bad quarto If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
You are not currently authenticated. View freely available titles:Act 3, Scene 4 • Romeo is upstairs with Juliet at the Capulet’s. – Paris comes over to see how Juliet is doing – Juliet’s parents believe that she is grieving for Tybalt’s death.
Juliet asserts her independence in this scene by asking her betrayers, the Nurse and Lady Capulet, to leave her alone. By this action, she both physically separates herself from her family and proactively takes a step toward the fruition of her plan to be with Romeo.
Act 2 scene 5 presents the idea that Juliet’s language changes as her relationship with the characters she interacts with transforms. The nurse is part of her secret relationship with Romeo and therefore she feels closer to the nurse.
Dramatic Tension in Act 1 Scene 5 of William Shakespeare's Romeo and Juliet Incomplete Essay 'Romeo and Juliet', is a tragic love story, by William Shakespeare written in the year The play is set in the town of Verona and is concentrated on two characters in which the title is named.
themes of jealousy and rage Essay Examples. as happened with Romeo in Romeo and Juliet.
In Act 3 Scene 1 Tybalt and Mercutio fight because Romeo went Read More. The Theme of Loneliness in Of Mice and Men ( The American Dream as Thomas Jefferson drafted in to the Declaration of Independence, it is the Pursuit of Happiness.
In Act II, Scene 1, Mercutio and Benvolios search for Romeo after the feast provides a comic interlude between Romeo and Juliets first meeting and the famous balcony scene in Act II, Scene 2, juxtaposing two very different and conflicting attitudes to love.